Christine E. Boone

 

Hello! I'm a music theorist by trade, and my area of expertise is mashups. Here's some stuff about me, my career, and my research:

 

Career

 

• I'm currently Associate Professor of Music at the University of North Carolina Asheville. UNCA is a public liberal arts college that focuses on undergraduate education.

  • ​​Click HERE for my faculty profile.

• For the 2023-2024 academic year, I was a Visiting Associate Professor at     St. Olaf College​

• Prior to being hired at UNCA, I was a Lecturer at Indiana State University.

 

 

Education

 

• I received both my M. M. and Ph. D. in music theory from the University of Texas at Austin. Hook 'em!

• My bachelor's degree is in vocal performance, from Indiana University.

 

 

Publications

 

• Music Theory Matters. Co-author: Brad Osborn. Oxford University Press. [in production]

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• “‘Technology allows more people to do things’: Artificial Intelligence, Mashups, and Online Musical Creativity.” Co-author: Brian Drawert. In Remediating Sound: Repeatable Culture, YouTube and Music. Ed. Holly Rogers, Joana Freitas, and João Francisco Porfírio, 35-50. Bloomsbury, 2023.

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• "Clickbait Analysis? A Look at Algorithmic Remixes." SMT-V 9.2, 2023.

  • Click HERE to access​

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• “Popular Song Remixed: Mashups, Aesthetic Transformation, and Resistance.” In The Routledge Handbook of Remix Studies and the Digital Humanities, ed. Eduardo Navas, Owen Gallagher, and xtine burrough, 417-429. New York: Routledge, 2021. 
   

• Review of The Musical Language of Rock by David Temperley. Journal of Music Theory Pedagogy 34, 2020.

  • Click HERE to access​
     

• "Gendered Power Relationships in Mashups." Music Theory Online 24.1, 2018.

  • Click HERE to access

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• "Fun With Singing Wine Glasses." Co-authors: Melodie Galloway and Michael Ruiz. Physics Education 53.3, 2018.​

  • Click HERE to access​

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• “Toward a Typology of Recycled Music.” Music Theory Online 19.3, 2013.

  • ​Click HERE to access

 

• “When Pop Stars Collide: Mashups as Musical Destiny.” Analyzing the Music of Living Composers (and Others). Ed. Jack Boss, Brad Osborn, Tim S. Pack, and Stephen Rodgers. Cambridge Scholars Publishing.164-175, 2013.

  • ​Click HERE to purchase

 

• “Music and Legality.” Music in American Life: An Encyclopedia of the Songs, Styles, Stars and Stories that Shaped our Culture. ABC-CLIO. 649-653, 2013.

  • ​Click HERE to purchase

 

• Mashups: History, Legality, and Aesthetics. Ph.D. Diss. The University of Texas at Austin, 2011.

  • ​Click HERE to access